MUSIC

began for me, when I was fourteen. My brother was a serious student of the guitar, and he shared some chords with me. I enjoyed learning cool phrases, chord structures and writing songs by ear until studying music theory in college for a few semesters.

My interest in traditional music also began in high school, when friends and I attended a neighborhood New Year’s Eve party where flamenco music was being played in the kitchen until dawn. This led me to the films of Tony Gatlif and a deep appreciation for non-commercial acoustic folk traditions.

I heard southern old-time fiddle music live for the first time in Maine in 1999, was entranced and began learning old-time guitar, banjo and fiddle immediately.

My personal listening and study practice is focused primarily on southern old-time fiddle music. I take a lesson now and then from a favorite fiddle player, and love listening to old and new recordings that exemplify the expressive potential of traditional acoustic music in a range of genres and styles.

I enjoy playing in social, community and private settings where it is part of the atmosphere of the environment, like farmers markets, events and gatherings, dances, sessions and parties.

This is my interpretation of an old fiddle tune called Gunboat. For a great source recording, see the 1986 recording from West Virginia of Ernie Carpenter.

This is my interpretation of the very popular old-time fiddle tune Cumberland Gap, for flat-picked guitar - with time lapse footage from around the house.